Rory Joining the Rolling Stones & Rory Riffs

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Rory Joining the Rolling Stones & Rory Riffs

Postby JimLED » 27 Mar 2012, 14:39

Hello folks,

Just found a link to some web resource...

http://www.songfacts.com/detail.php?id=584

There's somebody has mentioned about stolen riff from 'Miss You' ( another track, Start Me Up we already know ) and someone also mentioned that quote found in Gerry's interview.
I'd like to find this article or interview. Have you this one, John?

i once heard that the "Miss You" riff was written by Rory Gallagher and stolen by Keith Richards... i dont know if it's completely true, but i believe i read it in an interview with Gallagher's bass player Gerry McAvoy.
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Re: Rory Joining the Rolling Stones & Rory's Riffs

Postby Jay Jay » 14 Jul 2012, 11:28

Jim & Rory Fans ..
Here's confirmation again from Donal in a recent interview that "Miss You" from The Rolling Stones was a Rory riff..

As mentioned earlier, Rory Gallagher’s talent was well-recognized by his fellow musicians – including the Rolling Stones, who had their road manager make a call to Ireland after Mick Taylor’s departure from the band in December 1974.

After Rory delivered the Irish Tour ’74 record to Polydor – that was the final album of a six-album contract he had with them – Rory was in a position to do whatever he wished.

It was the early days of January ’75 and we’d just gotten back home and had one or two days off. As I remember, it was around midnight when the phone rang. I knew it was long distance as in those days you had to connect to an operator to call another country. Of course, whenever you got a call that late at night, you’re worried that someone’s been killed in an accident or something, you know?

This guy comes on the line and says, “Have I got the right number for Rory Gallagher?” in a very British accent. This was at the height of the troubles, of course, and it had been suggested to me that Rory was a possible kidnap target.

I’m being very evasive about whether he had the right Number or not, trying to find out who he is. I finally said I could get a hold of Rory, but it would take a few minutes – could I tell him who’s calling? And the guy said, “My name is Ian Stewart.”

Of course, speculation was rife at that time about who the Stones would have and immediately I put two and two together. I almost blew it by saying, “Of the Rolling Stones?” – but I held back and said, “Of … London?”

I told him to hang on, as I could get Rory, but it would take a few minutes. Rory had gone to bed a short while earlier, so I knocked on his door and said, “You’ve got a phone call downstairs.” He said, “Who is it?” and I said, “It’s the Stones.”

Of course, he thought I was having a prank with him and refused to get up. Eventually, though, he went down and took the phone call. they wanted to know if he could be in Holland on the tenth of January – was he willing to come over and have a jam with them? Rory said He’d be delighted and honored.

We then returned to London immediately – there was a tour booked for Rory at the end of January in Tokyo. When the ticked to Rotterdam showed up, there was only one, “Where’s mine?” I asked. Rory said, “There’s only one – I guess you’re not coming.” He was really thinking there was no need of me being there while they were just sitting around and playing, you see.

The simple fact about it was that Rory was the one the Rolling Stones wanted; there was no one else in the race at that time. If you think about the music the Stones had been releasing in the years prior to then, the Mick Taylor years were really a golden period. They were trying to find someone who could fill that gap or even embellish that scenario. Rory was the closest person to fit in that role.

When the Stones started their own label in the early ’70′s, Keith Richards mentioned in interviews that one of the artists they’d like to have was Rory. He’d obviously listened to Rory and recognized how he had combined some variation of American country music – which Keith loved – into rock and roll. Of course, the Stones are always referred to as “Keith’s band,” but Mick Jagger really runs things as far as the financial arrangements and “who’s in/who’s out.”

In the meantime, the Stones postponed the date they wanted Rory to come – and we were close to the start of the Japanese tour. they told us that the Stones mobile recording unit was having problems and they needed to get it going. But I think what was really happening was Keith was going through one of his worst drug periods. When Rory finally got the call to come, he took his Strat and a small Fender Champ amp and flew across to Holland on his own.


Rory Gallagher ©Kirk West
On the night of his arrival, Rory was met at the airport by Mick Jagger himself. I remember Rory telling me it was snowing and he was standing outside freezing with his guitar and amp while Mick went down the taxi line negotiating the rate to Rotterdam. There were no stretch limos!

Marshall Chess Jr. was managing the Stones at that time. Rory allowed that when he and Mick got to the concert hall in Rotterdam where everyone was waiting, Marshall said to him, “Welcome to the Rolling Stones. You’re the guy for the job and I’m delighted that you’ve come and joined us.”

Rory didn’t know what to say, of course. And when Marshall asked him, “Who do I talk to – where’s your management?” Rory had to tell him, “Well … he’s not here. I … I just thought I was coming for a jam.”

They got a session going that first night, but Keith didn’t turn up for it. Mick was nervous; that’s when Rory realized Mick and Keith weren’t on talking terms and Mick was trying really hard to get the band back together. Charlie and Bill had no say whatsoever, so they just stayed out of it and just came in when they were recording. Mick says to Rory, “Look, I’m not sure about Keith – whether he’s going to come down or not. I’ve got a song I’ve been working on … have you got a riff for me?” Rory had been writing a song and he started up a riff. The began making music; started getting down to work. I think the song was “Hot Stuff.”

The next evening, Keith showed up. Rory told me they did four tracks, one of them being “Miss You.” I believe I know when Rory heard that track later on he said, “That’s my riff.”

Finally it got to the pont where Rory had to say to Mick, “Look, I need to be in Tokyo in a few days time – I’ve got a tour. What’s the plan here?” And Mick said, “You’ve got to have a conversation with Keith. He’s waiting up in his room for you, go up and talk with him.”

So Rory goes up to Keith’s palatial suite and finds the door wide open. Rory walks in to find Keith on the bed, completely comatose. Rory stayed up all that night, checking every half hour to see if Keith was up or if he could wake him gently, but he was too out of it. By eight o’clock the next morning, Rory – who hadn’t slept at all the night before – packed up his guitar and amp, got on the plane and flew back from Rotterdam to London. I met Rory with a fresh suitcase at Heathrow and we flew straight to Tokyo.

There was really very little conversation between us about what happened in Holland with the Stones. I think Rory’s attitude was, “If they wanted me badly enough, they would have told me.”

Upon reflection, if I’d been there… I don’t know how it would have worked out if things had been different. It’s one of those ‘what if’ things.”
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